Ads Header


Saturday, January 30, 2016

“THE ANGRY BIRDS MOVIE” Catapults New Trailer

The delightful characters from the beloved – and addicting – mobile game app come to life in the new trailer for Columbia Pictures' “The Angry Birds Movie.”  The trailer may be viewed below: 
In the 3D animated comedy, “The Angry Birds Movie,” we'll finally find out why the birds are so angry.

The movie takes us to an island populated entirely by happy, flightless birds – or almost entirely. In this paradise, Red (Jason Sudeikis, “Horrible Bosses”), a bird with a temper problem, speedy Chuck (Josh Gad in his first animated role since “Frozen”), and the volatile Bomb (Danny McBride, “This is the End”) have always been outsiders. But when the island is visited by mysterious green piggies, it’s up to these unlikely outcasts to figure out what the pigs are up to.

Featuring a hilarious, all-star voice cast that includes Bill Hader (“Inside Out”), Maya Rudolph (“Bridesmaids”), and Peter Dinklage (“Game of Thrones”), as well as Keegan-Michael Key (“Pitch Perfect 2”), Kate McKinnon (upcoming “Ghostbusters”), Tony Hale (“Veep”), Ike Barinholtz (“Neighbors”), Hannibal Buress (“Broad City”), Jillian Bell (“22 Jump Street”), Danielle Brooks (“Orange is the New Black”), Latin music sensation Romeo Santos, and YouTube stars Smosh (Ian Hecox and Anthony Padilla), the Columbia Pictures/Rovio Entertainment film is directed by Fergal Reilly and Clay Kaytis, produced by John Cohen and Catherine Winder, screenplay by Jon Vitti, and executive produced by Mikael Hed and David Maisel.

  Opening across the Philippines on May 11, 2016, “Angry Birds” is distributed by Columbia Pictures, local office of Sony Pictures Releasing International.
Read more

Friday, January 29, 2016

Paul Bettany's Directorial Debut Headlines Jennifer Connelly and Antony Mackie in "SHELTER"

Shelter marks the directorial debut of Paul Bettany (Avengers: Age of Ultron) from a script he wrote. The film stars Academy Award nominee Jennifer Connelly (A Beautiful Mind, Blood Diamond) and Anthony Mackie (Captain America: The Winter Soldier). The film also stars Rob Morgan (Marvel's Daredevil), Amy Hargreaves (Shelter) and Bruce Altman (Bride Wars). 

Check out the trailer below: 

SHELTER - In Cinemas March 26.Starring: Oscar Nominated Jennifer Connelly (A Beautiful Mind, Blood Diamond & Hulk) and Anthony Mackie (Captain America, Real Steal & Million Dollar Baby).Hannah and Tahir come from two different worlds. But when their lives intersect, they’re homeless on the streets of New York. As we learn about their past, we begin to understand that to have a future, they need each other. Every single homeless person has a story. And Hannah and Tahir are no different. And theirs is a story of loss, love, hope and redemption.
Posted by CRYSTALSKY MULTIMEDIA on Sunday, 17 January 2016

Synopsis: Hannah and Tahir come from two different worlds. But when their lives intersect, they’re homeless on the streets of New York. As we learn about their past, we begin to understand that to have a future, they need each other. Every single homeless person has a story. And Hannah and Tahir are no different. And theirs is a story of loss, love, hope and redemption.

Read more

Fathers and Daughters: Movie Review

By: Lakwatsera Lovers

Brilliant author Jake Davis (Russell Crowe) needs to leave his daughter Katie (Kyle Rogers) to his sister-in-law (Diane Kruger) in order for him get treatment after a fatal car accident that killed his wife. He spends a year on the rehab but when he returns, his in-laws already had a plan to adopt Katie. Jake refuses and takes Katie home and while he struggles to fight his illness; he also needs to come-up with something to provide her daughter. 

On the parallel side of the story, we now see a grown-up Katie (Amanda Seyfried), who always has casual sex with each guy he meets. However, things changes when she is courted by an aspiring writer Cameron (Aaron Paul). She tries to enter a relationship like never before, but she is too reluctant to give in as her past still haunts her each day. 
Fathers and Daughters is an intriguing family drama on the first look. It has a great set of talented actors in one picture, with Academy Award Winner Russell Crowe leading the cast. However, the abundance of stars couldn't quite reason out with its dull and uninteresting story. The film  feels too long and hard to sit through as they are just thrown inside a lame story book. Crowe and Seyfried may have given enough for us to chew on, but the plot is just boring and predictable. 

Overall, Fathers and Daughters is a total waste of talent. Assembling a cast full of potential should have done the trick but with a material so thin to work with - all of their efforts were squandered and left to be forgotten. 

Lakwatsera Lovers rates it 4 out of 10 stars

Cast: Russell Crowe, Amanda Seyfried, Aaron Paul

Directed by: Gabriele Muccino
Distributed by: Octoarts Films International
Now Showing in cinemas 

Read more

Vikander Shines With Oscar-Worthy Performance For “THE DANISH GIRL”

One of the most promising actors of her generation, Alicia Vikander has been a talent to watch in cinema in 2015, gaining international recognition, one film after another. After receiving acting prizes from several critics groups for her breakout role in “Ex Machina,” Vikander starts 2016 in style – copping her first Academy Award nomination for Best Supporting Actress for her poignant performance in Universal Pictures' controversial drama, “The Danish Girl.”

The film is the remarkable love story inspired by the lives of Lili Elbe and Gerda Wegener, portrayed respectively by Academy Award winner Eddie Redmayne (“The Theory of Everything”) and Alicia Vikander, directed by Academy Award winner Tom Hooper (“The King’s Speech,” “Les Misérables”).

In 1926 in Copenhagen, artist Einar Wegener is married to Gerda Wegener and is revered for landscape paintings. Gerda is also an artist, less renowned but steadily working as a portraitist of prominent citizens. Theirs is a strong and loving marriage, yet personal and professional epiphanies have eluded them both.

That all begins to change one day when, on deadline for a portrait, Gerda asks her husband to fill in for a model by putting on a dress so that she can finish the painting. The experience is transformative, as Einar soon realizes that being Lili is an expression of her truest self, and she begins living her life as a woman. Gerda unexpectedly finds that she has a new muse, and renewed creative ferment. But the couple soon brush up against society’s disapproval.

Vikander walked the fine line between the real Gerda and the version of Gerda in the novel on which the movie is based. “Both myself and Eddie — and everyone involved — really took on a good job trying to adapt the book,” assures the actress. “But then to be able to go back and actually dig in, to try to find as much information about these two people, that was the real treasure for us. I love the art and all the photographs that we found. It was a direct axis to see those very ahead-of-their-time women that both Lili and Gerda were.

We tried to read as much as we could,” adds Vikander, “but because it's a hundred years back, you realize that there's quite a lot of ambiguity in some of the information. We don't have any record of people who knew them, but you can meet people who've gone through a similar thing in life.”

Vikander continues, “We got an enormous help from wonderfully generous people from the transgender community. Maybe more from me playing Gerda, I was introduced to people who wanted to open up with their personal stories and experiences from friends or loved ones or family members or someone who has gone through this. That was very much an eye-opener for me. Even though all those stories are all very different journeys and experiences, I felt like they all wanted to share with me that feeling of — like Gerda — wanting to be support for the person that you love more than anything. They were happy to see that Gerda was involved in this film and this story because sometimes it's tough — people forgot that they were in a transition as much as their loved one.

As much as “The Danish Girl” is a serious movie, there is such a fun rapport between Vikander and Redmayne. “Eddie is down-to-earth, funny, and always honest,” narrates the actress. “Even though we work long hours and it is a very tough subject and it's a lot of very emotional big scenes, he always brings such energy to set and such humor. He just always pushed me to do my very, very best. I always felt like I had to step up and give him that. But he's extremely generous, and we had a lot of fun.”

The Danish Girl” is vying for four Academy Awards, namely Best Actor (Redmayne), Best Supporting Actress, Best Production Design and Best Costume Design.

At the recently-concluded Golden Globe Awards, the film was nominated for Best Actor, Best Actress and Best Original Score.

  To be shown exclusively at Ayala Malls Cinemas (Glorietta 4, TriNoma, Market Market & Fairview Terraces) starting Feb. 03, “The Danish Girl” is distributed in the Philippines by United International Pictures through Columbia Pictures.

Read more

Thursday, January 28, 2016

“THE REVENANT” Advance Screenings February 2 Nationwide, Scheduled as Last Full Show

Leonardo DiCaprio’s award-winning and acclaimed film, “The Revenant” from Academy Award winning director Alejandro Iῆarritu holds its public advance screenings in Philippine theatres (2D and IMAX screens) as last full show nationwide on February 2, Tuesday – hours ahead of its opening (following) day onFebruary 3.
Based on true events from legendary Hugh Glass’ accounts on surviving the wild, uncertain times and even returning from the dead, “The Revenant” is this year’s most awaited cinema event. In THE REVENANT, the highly anticipated film from 20th Century Fox, Leonardo DiCaprio plays Hugh Glass, a fur trapper and frontiersman who is left for dead deep in the unchartered American  wilderness by a traitorous member of his team,  John Fitzgerald (Tom Hardy).   With sheer will as his only weapon, Glass must navigate a hostile environment, a brutal winter and warring tribes in a relentless quest to survive and exact vengeance on Fitzgerald. Inspired by a true story, the film is directed and co-written by renowned filmmaker and Academy Award-winnerAlejandro González Iñárritu (Birdman, Babel).  
Glass’s mythology began in 1823, when he was among thousands joining the fur trade, a driving new force in the US economy. It was a time when many saw the wild as a spiritual void that demanded to be tamed and conquered by the steeliest of men. And so they poured into the unknown, plying unmapped rivers, disappearing into impossibly lush forests, seeking not only excitement and adventure but also profits -- often in fierce competition with the Native tribes for whom these lands had long been home. 
Many such men died anonymously, but Glass entered the annals of American folklore by flat-out refusing to die. His legend sparked after he faced one of the West’s most feared dangers:  a startled grizzly bear.  For even the most tested frontiersmen that should have been the end.  But not for Glass. In Iñárritu’s telling of the tale, a mauled Glass clings to life – then suffers a human betrayal that fuels him to continue at any cost. In spite of tremendous loss, Glass pulls himself from an early grave – clawing his way through a gauntlet of unknown perils and unfamiliar cultures on a journey that becomes not just a search for reckoning but for redemption. As Glass moves through the frontier in turmoil, he comes to reject the urge for destruction that once drove him.   He has become a “revenant” -- one returned from the dead.
The Revenant is a story of harsh survival but also one of inspirational hope,” Iñárritu says.  “For me, the important part was to convey this adventure with a sense of wonder and discovery, as an exploration of both nature and human nature.” 

  The Revenant” opens in cinemas across the nation starting February 3(also in IMAX screens) from 20th Century Fox to be distributed by Warner Bros. Check your nearest theatres for schedule and advance ticket purchase.
Read more

New “SPIDER-MAN” to be Released Worldwide in IMAX 3D Cinemas

Sony Pictures Entertainment, Marvel Studios and IMAX Re-Team for Event Release

CULVER CITY, Calif., January 26, 2016 – Spider-Man, one of the world’s most beloved superheroes, will once again come to IMAX® Theatres for a network-wide event run when the film is released in theaters on its new worldwide date on July 7, 2017, it was announced today by Josh Greenstein, president of Worldwide Marketing and Distribution for Sony Pictures, Kevin Feige, president of Marvel Studios, and Greg Foster, Senior Executive Vice President, IMAX Corp. and CEO of IMAX Entertainment.

As the movie, which Sony Pictures Entertainment is teaming with Marvel Studios to produce, enters wide release, it will also be digitally re-mastered into the immersive IMAX® 3D format. The highly anticipated next installment in the $4 billion franchise, which will star Tom Holland as Peter Parker/Spider-Man, will be directed by Jon Watts and produced by Feige and Amy Pascal.

Commenting on the announcement, Greenstein said, “There’s so much about Spider-Man – including the web-slinging action – that lends itself perfectly to the IMAX screen. We are confident that audiences everywhere around the world will want to see it in IMAX.”

Feige said: “Time and time again IMAX delivers super-hero sized movie going experiences to fans. With the anticipation for Spider-Man climbing, we are excited that IMAX has committed early to this extended release plan -- it will be a great way for audiences around the world to experience such a big event film.”

Foster said, “IMAX’s long-standing relationship with Marvel and Sony first began with Spider-Man in 2002, establishing the ultimate way for fans to be transported into the world of their favorite characters like Peter Parker. By re-teaming with our friends at Sony and Marvel on the newest Spider-Man reboot, we are excited to deliver audiences what they’re asking for: a must-see cinematic adventure – in IMAX.”

The IMAX® 3D release of the Spider-Man film will be digitally re-mastered into the image and sound quality of The IMAX Experience® with proprietary IMAX DMR® (Digital Re-mastering) technology. The crystal-clear images, coupled with IMAX’s customized theatre geometry and powerful digital audio, create a unique environment that will make audiences feel as if they are in the movie.
Read more

Fashion and Music Throwback in Winning Movie “BROOKLYN” 

Brought to life with the dreamlike shadings of a love poem, “Brooklyn” unfolds in two distinctly atmospheric worlds:  one amid the cloistered, muted beauty of Enniscorthy, Ireland and the other in the bustling chaos of New York’s Brooklyn, the frequent first stop of many immigrants to America, starring Saoirse Ronan, Emory Cohen and Domhnall Gleeson who make up the film’s love triangle.
The entirety of “Brooklyn” builds to the life-altering decisions Eilis (Ronan) must make:  between Tony (Cohen) and Jim (Gleeson), between Brooklyn and Ireland, between her past and what she wants for her future.   Everyone involved knew from the start that the story hinged on the uncertainty of her ultimate choice. 
Helping to recreate the era in the minds of actors were the beautiful clothes sourced and created by Odile Dicks-Mireaux to evoke the inimitable elegance and grace of 1950s New York.   She was thrilled to step back into that era.  “It was a complete pleasure to work with these characters,” says Dicks-Mireaux, “and there was so much craftsmanship and invention in the 1950s period.” 

The early era of street photography, especially work by the mysterious Vivian Maier and iconic New York shooter Elliott Erwitt, inspired Dicks-Mireaux with their candid shots of transient city moments.  However, she avoided even glancing at the couture of the era. 
John’s specific edict was to not look at any fashion magazines because this is a story of real people – of working class girls trying to make their living in New York,” she explains. “In every aspect of the film, John wanted the look to be very natural and real.”
Dicks-Mireaux especially enjoyed contrasting fashionable Brooklyn, of which Eilis is soon a part, with the more austere dress of Enniscorthy. “There was a huge difference between America and Ireland in those post-war years,” she explains.  “The styles could not have been more distinct which is perfect for the story we’re telling.  In America it was a time of rich color – reds, caramels and yellow ochres, pinks and pale colors – that just did not exist then in Ireland.”

An equal contributor to the film’s transporting atmosphere is the music, led by an aching score from Michael Brook (Into The Wild, The Fighter).  There is also a transcendent musical moment -- when Eilis volunteers to serve Christmas lunch to downtrodden Irish immigrants, only to be enraptured by one homesick man’s stirring Irish lament.

Colm Tóibín told Finola Dwyer and Amanda Posey that the unique voice of Irish singer Iarla Ó Lionáird had been a particular inspiration to him while writing that scene.  Inspired themselves, they approached Ó Lionáird and were delighted to be able to bring him to Montreal to perform “Casadh an Tsúgáin” live on the set. 

Ó Lionáird fully understood why it would impact Eilis so deeply. “It’s a love song, in which the repeating chorus talks about a man asking the woman to define in what way she’s connected to him,” he explains.  “That resonates for Eilis, in that she’s connected to two worlds. In the song, the man is asking the woman ‘if you’re with me, you’re with me’ and he says ‘be with me in front of everybody, show everybody, be clear.’ She has to step into her own future and to decide what that is.” 
Ronan was as moved as Eilis is during the scene.  “Through this incredible voice, Iarla was able to communicate every emotion that you go through when you’re away from home,” she says.
  Brooklyn” opens today, January 27 exclusively at Ayala Malls Cinemas (Trinoma, Alabang Town Center, Greenbelt3, Market!Market!, Fairview Terraces) from 20th Century Fox distributed by Warner Bros.
Read more

“DEADPOOL” to Paint the Town Red on Feb. 10 (In Cinemas)

Expect plenty of wry humour in “Deadpool,” directed by Tim Miller and at Reynolds’ own experiences in the comic book world.  Based upon Marvel Comics’ most unconventional anti-hero, “Deadpool” tells the origin story of former Special Forces operative turned mercenary Wade Wilson, who after being subjected to a rogue experiment that leaves him with accelerated healing powers adopts the alter ego Deadpool. Armed with his new abilities and a dark, twisted sense of humor, Deadpool hunts down the man who nearly destroyed his life.

Deadpool” star and producer Ryan Reynolds has no bigger fan than Marvel Comics legend Stan Lee, who has a fun cameo in the film and also serves as an executive producer.  “There’s never been a character like Deadpool, and Ryan Reynolds plays him as though he was born to play the role,” says Lee. “Just like Robert Downey, Jr. was born to be Iron Man, you just can’t picture anybody else besides Ryan as Deadpool.”

Reynolds embraced the character’s myriad (and often twisted) facets. “In the comic book world, Deadpool is a man of our time with the ability to spout just the right thing, in terms of a pop culture reference, at the worst possible moment,” he quips.  “That’s what makes him interesting to me and also makes him sort of limitless.”

Reynolds had long championed a film version of the iconic comics character.  His deep involvement in the film’s development continued throughout production, in brainstorming sessions with director Tim Miller and screenwriters Rhett Reese and Paul Wernick (“Zombieland”).

Tim Miller, who makes his feature film directorial debut on Deadpool, notes, “I think Ryan’s personality and DNA are really infused in the character.  It was a close match to begin with, which is why Ryan was so attracted to Deadpool in the first place.”
Ryan has a tremendous sense of humor, is very quick, and the character has really seeped into him,” says Reese.  “He became in a way our ‘Deadpool Police.’ Whenever we got off tone or were writing in a way that didn't feel quite right, Ryan would say, ‘I don't think that sounds like Deadpool.’  We knew he was the best arbiter, because Ryan knows and loves the comics and has assimilated Deadpool’s voice and sense of humor.”

We’re staying as true to the character as possible,” adds Reynolds.  “We really ran with the idea of Deadpool being aware he’s a comic book anti-hero.  It gave us the freedom to tell this story in a totally unorthodox way.  We occupy a space that no other comic book movie has – or can.”
Deadpool is a unique figure in the Marvel Universe.  Fabian Nicieza and Rob Liefeld created Deadpool as possessing an often non-superheroic attitude.  A sardonic foil to the holier-than-thou heroes and villains that populate  Marvel’s other comics, Deadpool constantly cracks edgy jokes and breaks the fourth wall. 

Liefeld joins Stan Lee in his admiration of the filmmakers’ work in translating the character to the big screen.  “DEADPOOL explodes with action,” says Liefeld. “Ryan, Tim Miller, Paul and Rhett mined all the good stuff in the comics from about a ten-year period and came up with a movie that sews it all together.  This will be the Deadpool that will become canon moving forward!”

  It’s a date on Valentine’s week with “Deadpool” starting February 10 in cinemas (and IMAX screens) nationwide from 20th Century Fox to be distributed by Warner Bros. 
Read more

Real “SECRET SOLDIERS” in Benghazi Battle Talk About “13 HOURS”

Director Michael Bay’s new action-thriller, “13 Hours: The Secret Soldiers of Benghazi” was based on a real-life, controversial incident in Libya. Consulting the production were three of the actual participants in that tense battle, Kris “Tanto” Paronto, Mark “Oz” Geist and John “Tig” Tiegan.

At the time of the battle on September 11th, 2012, the three ex-military men were serving as CIA security contractors, the Global Response Staff (GRS). When the attack on the American diplomatic compound and the CIA annex in Benghazi took place – at which four men died, including a United States ambassador – it was these men who held their ground, as depicted in the new film.

The actors portraying them are Pablo Schreiber as Tanto, Max Martini as Oz and Dominic Furmusa as Tig.

(Watch the featurette) click the links below:
“Tanto and Pablo” -

Kris Paronto is a ex-Army Ranger, and left the service as an officer before doing the GRS contractor work. Mark Geist was a Marine, and went into law enforcement afterward, serving as a Chief of Police and child abuse investigator. John Tiegan was also a Marine, and co-authored the book “13 Hours” with Mitchell Zuckoff, which the film is based upon. The three recently sat down with selected press to discuss the issues surrounding the film, and their role on that fateful night.

Question: What is the weirdest part of seeing different people act as yourselves, and having a screenwriter put words into your mouths?

Kris “Tanto” Paranto: Having a screenwriter like Chuck Hogan was incredible. He worked with us and wanted to get it right. If we hadn’t been involved, then sure, it might have been weirder, but we were completely involved from the beginning to the end of the process. For me, getting to know the actor that played me [Pablo Schreiber] helped as well. We developed a relationship and became friends.

Mark “Oz” Geist: If there was something we were uncomfortable with in any element, we could let them know.

Q: When under fire in reality, fear is one element that cannot be processed absolutely when recreating an event under blanks bullets. How do you express to the actors the fear one feels when in situation like you were in?

John “Tig” Tiegen: There isn’t any fear…if you’re scared, you won’t go forward when you should. Your biggest fear is letting the guy down to your left and right. You’re always going to go forward.

Tanto: The concept in Marine and Ranger training is move forward as a team. Cohesiveness is important, and once you have built that you’ll live up to the expectations of the guys to your left and right. You challenge yourself to do better than that next guy. The only fear, as Tig said, is not being first.

Oz: Once you read the book or see the film, you won’t see fear, but you will see adrenalin. You use that adrenalin to move forward, and it’s an incredible and indescribable feeling. Bottom line, if you fear you are going to die, you will die. The cast captured that because they go to know us, and wanted to get it right.

Tanto: There is a great scene where they are coming onto the consulate, and the way they approach it from the standpoint of what actually happened is spot on. It demonstrates the teamwork, cohesiveness and the drive to move forward.

Q: We live in a different age than the war films from the WW2 generation, and even the moral ambiguities of the Vietnam films. What should we know about the incident in Benghazi, before we see the film?

Oz: The positive take away is that there are still guys who are willing to sacrifice themselves, and there are still guys out there who have the mental toughness and the intestinal fortitude to move forward. Even if their superiors tell them don’t, they still want to act. That is the definition of a patriot, and that has never changed. I feel like I can’t let the guys down that came before me from World War II, Vietnam and all the other wars. The psyche of the soldier in battle, I believe, has not changed. Only the orders are different.

Q: Since all of your boot camp and Ranger training is so difficult, are their any stories of just how tough it is, that you can relate to civilians?

Tig: Watching the airplanes take off while I was sitting in the barracks. [laughs] I’m serious, that sucked. I was a ‘Hollywood’ Marine because I was at the west coast boot camp, which was right outside the San Diego airport.

Tanto: Ranger School isn’t as bad. At one point, we had a drill called Space Invaders. You go back to the barracks and dress in your armor, and take a trash can lid. Then everybody threw beer bottles at you, and taunted you to quit.

Oz: My uncle went to Marine boot camp in 1958, so that was my expectation of it. The hardest thing is learning to work with others, everybody and anybody. That is the one plus side to the military, it’s the diversity you encounter, dealing with everybody in every type of situation. We put up the walls and barriers in regular society, in the military it’s about diversity and the understanding of each other.

  13 Hours: The Secret Soldiers of Benghazi” is now showing across the Philippines and is distributed by United International Pictures through Columbia Pictures.
Read more

Wednesday, January 27, 2016

The Revenant: Movie Review

By: Lakwatsera Lovers

Everyone is one week away from seeing the brilliance of The Revenant glaring on the big screen and as a bonus, you can also experience it for one week on IMAX theaters. Thanks to 20TH Century Fox PH, we don't need to wait longer as we've seen the epic picture last night. We won't be surprised if Director  Alejandro González Iñárritua nails his second Oscar win and we feel that this is the right time for Leo to reach the top of the pedestal. 

After being brutally attacked by a bear, Hugh Glass (Leonardo DiCaprio) was left for dead by his own hunting team. Adding more pain to his almost lifeless body is the death of his son in the hands of his comrade, John Fitzgerald (Tom Hardy). Glass tries to survive the extreme winter along with all the injuries he has in order to find redemption. 

The Revenant is another story about revenge and survival, but it opts to bring its viewers to experience a one-of-a-kind and memorable cinematic masterpiece. It started with a striking opening scene and fueled up with stunning cinematography to back it up. With a bloated run-time, we thought the film would become tedious at some point, but we didn't notice that 156 minutes have passed quickly.  We've enjoyed every single frame with brutal and heart-stopping sequences. Plus an awesome and incredible camera work throughout the whole film c/o Emmanuel Lubezki.

This is by far the best performance of Leonardo DiCaprio. He justified his win in the Golden Globes and most probably will earn his first elusive Oscar Award next month. However, it's not just Leo but also a notable performance as well for Mr. Tom Hardy. They both deliver and executed their roles perfectly from start to finish. 

Overall, The Revenant transports you to experience a gripping tale of survival. It is a well-crafted gem that is rich in details, has an outstanding cast and perfect grandiose visuals.  It could win the tight race against the greatness of Mad Max: Fury Road on this year's Academy Awards.

Lakwatsera Lovers rates it 10 out of 10 stars 

Cast: Leonardo DiCaprio, Tom Hardy, Domhnaal Gleeson

Directed by: Alejandro González Iñárritua
Distributed by: 20th Century Fox PH
Opens February 3 in cinemas nationwide
Experience it on IMAX Cinemas

Read more

Brooklyn: Movie Review

By: Lakwatsera Lovers

Brooklyn is a story about a young Irish immigrant named Eilis Lacey (Saoirse Ronan) who travels to the promise land seeking for her independence. At first, she tries to fight her homesickness through the constant letters of her sister, but it changes with the arrival of a young Italian man named Tony, (Emory Cohen) who gives her everything and marries so she can have something to hold on to. However, an unexpected loss brings her back home to Ireland and must now choose between her married life in Brooklyn or to stay with her family and newfound love in her hometown. 

The film brings out a classic vibe all the way and avoided the familiar girl-meets-boy formula. Instead, they added more factors in it and seasoned it with flavor to get the viewers' attention throughout. It is an emotional trip where-in the simplicity of the story stood out, and it gets more interesting as it moves forward to the end. There are also some fun and light moments to balance it with the drama and romance to hold everything tightly. 

It rides on to the subtle performance of Saoirse Ronan, who is in command from start to finish. She is just enjoyable to watch and yes; she is well deserved for her Oscar Nominaton. Emory Cohen stood out and creates a perfect on screen chemistry with Saoirse. He just effortlessly gave everything and will automatically earn the sympathy of the audience on the latter part. The supporting cast also did well, with Domhnall Gleeson, Jim Broadbent, Bríd Brennan and Julie Walters leading the way. Every single one of them had their chance to shine in their key roles. 

Overall, Brooklyn is well crafted and beautifully made. Saoirse Ronan's journey as Eilis is like a timeless tale filled with emotion that you want to read over and over again. 

Lakwatsera Lovers rates it 8.5 out of 10 stars 

Cast: Saoirse Ronan, Emory Cohen, Domhall Gleeson  

Directed by: John Crowley
Distributed by: 20th Century Fox PH
Now Showing exclusively at Ayala Malls Cinemas
Read more

Sony Pictures to Distribute “BLADE RUNNER” Sequel in PH

LOS ANGELES, CA, JANUARY 25, 2016 – Sony Pictures Releasing International will distribute Alcon Entertainment’s follow-up to Ridley Scott’s 1982 masterpiece “Blade Runner” in all overseas territories (including the Philippines) in all media; with Warner Bros. Pictures distributing in North America and Canada through its output agreement with Alcon, it was announced by Alcon co-founders and co-CEO’s Andrew Kosove and Broderick Johnson.

Denis Villeneuve is directing the film starring Ryan Gosling (“The Big Short”) and Harrison Ford (“Star Wars”) who is reprising his role as Rick Deckard. Hampton Fancher (co-writer of the original) and Michael Green have written the original screenplay based on an idea by Fancher and Ridley Scott. The story takes place several decades after the conclusion of the 1982 original.

Alcon Entertainment acquired the film, television and ancillary franchise rights to “Blade Runner” in 2011 from the late producer Bud Yorkin and Cynthia Sikes Yorkin to produce prequels and sequels to the iconic science-fiction thriller. Cynthia Sikes Yorkin will produce along with Johnson and Kosove. Bud Yorkin will receive producer credit.

Frank Giustra and Tim Gamble, CEO’s of Thunderbird Films, will serve as executive producers. Ridley Scott will also executive produce.

The film marks Villenueve’s third collaboration with 13-time Oscar nominee Roger Deakins, who will serve as cinematographer, following Alcon’s “Prisoners” and the hit drug-trafficking drama “Sicario,” which brought Deakins his latest Oscar nomination.

Principal photography on Villenueve’s new “Blade Runner” film is scheduled to begin in July 2016.

States Kosove and Johnson: “We are excited to work with Tom Rothman, Michael Lynton and then entire Sony team on this very special project as well as maintaining our important and long-standing relationship with our domestic partner Warner Bros. Pictures.”

States Tom Rothman: “At Sony, we have made a strong commitment to the international marketplace. We know of few projects with greater international potential than the long dreamed of sequel to `Blade Runner,' especially given the all-star creative team Andrew and Broderick have assembled. We are deeply grateful to everyone at Alcon, Denis and Ridley for entrusting us with such a gift. Working on a `Blade Runner' film also fulfills a long-time personal ambition, as I deeply love and admire the original.”

Among its many distinctions, “Blade Runner” has been singled out as one of the greatest movies of all time by innumerable polls and media outlets, and overwhelmingly as the greatest science-fiction film of all time by a majority of genre publications.

Released in 1982 by Warner Bros. Pictures, “Blade Runner” was adapted by Hampton Fancher and David Peoples from Philip K. Dick's novel Do Androids Dream of Electric Sheep? and was directed by Ridley Scott, following his landmark film, “Alien.” The film was nominated for two Academy Awards (Best Visual Effects, and Best Art Direction) and is now regarded by media and cineastes as one of the greatest movies of all time and the defining vision of the cyberpunk genre.

In 1993, “Blade Runner” was selected by the Library of Congress for preservation in the United States National Film Registry as being "culturally, historically, or aesthetically significant." The film was selected for preservation in the United States National Film Registry in 1993 and is frequently taught in university courses. In 2007, it was named the 2nd most visually influential film of all time by the Visual Effects Society.

The “Blade Runner” sequel will be distributed in the Philippines by Columbia Pictures, local office of Sony Pictures Releasing International.

Read more

“THE FINEST HOURS” Non-Fiction Book Now A Compelling Film

While Disney Pictures’ action-adventure “The Finest Hours” is packed with thrilling, larger-than-life action sequences, it is anchored by the prevailing theme that resonates throughout the story—the strength of the human spirit.

These young men knew exactly what they were getting into when they climbed into that tiny lifeboat,” says producer Dorothy Aufiero (“The Fighter”). “They had the courage to go out there and put others’ safety first and do something incredible, and I find that truly inspirational.”

A heroic action-thriller, Disney's “The Finest Hours” is based on the extraordinary true story of the greatest small boat rescue in Coast Guard history in the U.S. Presented in Digital 3D, the film transports audiences to the heart of the action, creating a fully-immersive cinematic experience on an epic scale.

Directed by Craig Gillespie, “The Finest Hours” stars Chris Pine, Academy Award®-nominee Casey Affleck, Ben Foster, Holliday Grainger, John Ortiz and Eric Bana.

When the Boston-based Aufiero first read The Finest Hours, the book by Casey Sherman and Michael J. Tougias that documented the incredible tale of the Coast Guard’s attempts to rescue survivors from two T2 oil tankers, she was shocked she had never heard about it before. While the SS Pendleton rescue was front-page news at the time, not everyone today is familiar with the story, including families of the men who were part of the rescue itself. “These guys just didn’t talk about it because to them, it was their job,” she explains.
Aufiero brought the project to producer Jim Whitaker (“Cinderella Man”), who felt an immediate connection to the story. “I was born in Maryland but moved to Nova Scotia when I was 12 and my family lived in an eastern maritime town similar to Chatham, so I related to the story on a personal level,” he says. “I knew about the Coast Guard and about the lives of people who made their living on the water and always knew I wanted to tell a story about the people that I grew up with.”

They agreed that recreating the gallant efforts of these young men on the big screen was the perfect way to immortalize their story and put together a story treatment and sizzle reel incorporating vintage photos and archival footage of the actual events, which they brought to Disney. The studio has released many successful films based on true stories over the years (“Cool Runnings,” “Dangerous Minds,” “Invincible,” “Miracle” and “A Civil Action,” among others) and green-lit the project that same day.

Oscar® nominees Scott Silver (“8 Mile”) and Paul Tamasy & Eric Johnson (“The Fighter”) completed a screenplay based on Sherman and Tougias’ book. While the book tells the story of both tankers that split that fateful night, the screenplay focuses primarily on the Pendleton rescue and its two stories: the men on the tanker trying to survive on the outside chance that someone might come to find them, and the four young men who set out to rescue them.

Like Aufiero, Craig Gillespie was unfamiliar with the story when first sent the script, but he read it immediately, followed by the book, and was soon on board to direct. “I really enjoyed how very true the writers stayed to the events and the timeline of when things occurred, which is almost unfathomable considering all that was going on out there in the ocean,” he says. “Yes, it’s the story of the greatest small-boat rescue in Coast Guard history, but it also has all these great characters who really were unsung heroes. There was a sense of purity to that generation of men in that they often put others before themselves, and that’s what makes them so heroic.”

  Opening across the Philippines on March 02, “The Finest Hours” is distributed by Walt Disney Studios Motion Pictures International through Columbia Pictures. Follow the official social media accounts of Disney in the Philippines, namely, (FB) WaltDisneyStudiosPH, (Twitter) @disneystudiosph and (Instagram) @waltdisneystudiosph.
Read more